Cast: Florence Pugh, Sebastian Stan
Runtime: 2 hr. 6 mins.

In “Thunderbolts*,” Marvel Studios assembles an unconventional team of antiheroes — Yelena Belova, Bucky Barnes, Red Guardian, Ghost, Taskmaster and John Walker. After finding themselves ensnared in a death trap set by Valentina Allegra de Fontaine, these disillusioned castoffs must embark on a dangerous mission that will force them to confront the darkest corners of their pasts. Will this dysfunctional group tear themselves apart, or find redemption and unite as something much more before it’s too late?

Cast: Michael B. Jordan, Hailee Steinfeld
Runtime: 2 hr. 17 mins.

Trying to leave their troubled lives behind, twin brothers return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.

Cast: Vincent Cassel, Diane Kruger
Runtime: 2 hr. 0 mins.

In an eerie, deceptively placid near-future, a techno-entrepreneur named Karsh (Vincent Cassel) has developed a new software that will allow the bereaved to bear witness to the gradual decay of loved ones dead and buried in the earth. While Karsh is still reeling from the loss of his wife (Diane Kruger) from cancer—and falling into a peculiar sexual relationship with his wife’s sister (also Kruger)—a spate of vandalized graves utilizing his “shroud” technology begins to put his enterprise at risk, leading him to uncover a potentially vast conspiracy. Written following the death of the director’s wife, the new film from David Cronenberg is both a profoundly personal reckoning with grief and a descent into noir-tinged dystopia, set in an ominous world of self-driving cars, data theft, and A.I. personal assistants. Offering Cronenberg’s customary balance of malevolence and wit, The Shrouds is a sly and thought-provoking consideration of the corporeal and the digital, the mortal and the infinite.

Cast: Jean-Louis Trintignant, Anouk Aimee
Runtime: 1 hr. 43 mins.

In A MAN AND A WOMAN, race car driver Trintignant and script supervisor Aimée meet at their kids' boarding school, and then the flashbacks and Francis Lai's can't-get-it-out-of-your-head main love theme begin, in the undeniably romantic international smash hit — winner of the Cannes Film Festival's Palme d'Or and two Academy Awards® (Best Foreign Film and Best Original Screenplay), with two more nominations (Best Director and Best Actress). The film ran for a record-setting sixty-five weeks at the Paris Theater in New York from 1966 to 1967 and for over two years at the Max Laemmle Regent Theatre in Westwood.