The Texas Theatre
231 West Jefferson Boulevard, Dallas, TX 75208
Movieline: 1-(214)-948-1546
Website: http://www.thetexastheatre.com/

Pink Floyd at Pompeii – MCMLXXII ()
Cast: David Gilmour, Nick Mason
Runtime: 1 hr. 30 mins.
Pink Floyd at Pompeii – MCMLXXII, the groundbreaking 1972 film directed by Adrian Maben, returns to theaters, now digitally re-mastered in 4K from the original 35mm footage with enhanced audio. Set in the hauntingly beautiful ruins of the ancient Roman Amphitheater in Pompeii, Italy, the film captures Pink Floyd performing an intimate concert without an audience. Filmed in October 1971, the performance features unforgettable tracks such as “Echoes,” “A Saucerful of Secrets,” and “One of These Days.” The breathtaking visuals of the amphitheater, captured both day and night, amplify the magic of the performance, creating a unique and immersive experience. Additionally, the film includes rare behind-the-scenes glimpses of the band working on The Dark Side of the Moon at Abbey Road Studios. This meticulous restoration delivers stunning image and sound quality, featuring a theatrical and home entertainment mix from Steven Wilson in 5.1 and Dolby Atmos. These upgrades enhance the film's depth and clarity while preserving the authenticity and spirit of the original 1972 release. Inspired by the golden warmth of Pompeii’s iconic setting, the remaster transforms this timeless piece into a masterpiece of sight and sound. Experience Pink Floyd like never before through this pioneering audio-visual remaster!

The Shrouds (R)
Cast: Vincent Cassel, Diane Kruger
Runtime: 2 hr. 0 mins.
In an eerie, deceptively placid near-future, a techno-entrepreneur named Karsh (Vincent Cassel) has developed a new software that will allow the bereaved to bear witness to the gradual decay of loved ones dead and buried in the earth. While Karsh is still reeling from the loss of his wife (Diane Kruger) from cancer—and falling into a peculiar sexual relationship with his wife’s sister (also Kruger)—a spate of vandalized graves utilizing his “shroud” technology begins to put his enterprise at risk, leading him to uncover a potentially vast conspiracy. Written following the death of the director’s wife, the new film from David Cronenberg is both a profoundly personal reckoning with grief and a descent into noir-tinged dystopia, set in an ominous world of self-driving cars, data theft, and A.I. personal assistants. Offering Cronenberg’s customary balance of malevolence and wit, The Shrouds is a sly and thought-provoking consideration of the corporeal and the digital, the mortal and the infinite.